{"id":135,"date":"2023-03-15T05:49:16","date_gmt":"2023-03-15T08:49:16","guid":{"rendered":"https:\/\/ideologiasites.com.br\/genivaldo\/?page_id=135"},"modified":"2023-04-04T22:21:33","modified_gmt":"2023-04-05T01:21:33","slug":"about","status":"publish","type":"page","link":"https:\/\/genivaldoamorim.com\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.20.0″ _module_preset=”default” da_disable_devices=”off|off|off” box_shadow_style=”preset3″ global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_fullwidth_image src=”https:\/\/genivaldoamorim.com\/wp-content\/uploads\/2023\/03\/sobre-1.jpg” _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.20.0″ custom_padding=”||0px||false|false” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”4.20.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”86px|||||” global_colors_info=”{}”]<\/p>\n

This is Genivaldo Amorim<\/h1>\n

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Genivaldo Amorim is a Brazilian visual artist. Born in Umuarama PR, Brazil, in 1973. Lives and works in Valinhos SP, Brazil. Works with installations, painting, drawing, objects and several other media and supports.<\/p>\n

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CURRICULUM (Selected exhibitions)<\/h2>\n

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Group Exhibitions<\/h2>\n

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2023 \u2013 Site-specific<\/strong>, Espa\u00e7o Alta Vista, S\u00e3o Francisco Xavier SP (Brazil) – Curador (Curator): Marcelo Lago.<\/p>\n

2022 \u2013 Physiognomy in Contradiction<\/strong>, Museum of Northern History, Ontario, Canad\u00e1 (Canada) – Curador (Curator): Andr\u00e9s I. M. Hern\u00e1ndez.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Correspond\u00eancia<\/strong> (Com\/With Kine Aw, Senegal), TOTE Espa\u00e7o Cultural, Campinas SP (Brazil) – Curadora (Curator): Aurora Mart\u00ednez.<\/p>\n

Esp\u00e9cies Nativas<\/strong> (Com\/With Jorge Dias, Mo\u00e7ambique\/Mozambique), Pavilh\u00e3o Vereador Nardini, Valinhos SP (Brazil) – Curador (Curator): Andr\u00e9s I. M. Hern\u00e1ndez.<\/p>\n

Formas de voltar para casa<\/strong>, Espa\u00e7o 8, S\u00e3o Paulo SP (Brazil) – Curadora (Curator): Isa Bandeira.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Art\u00e9rias na Cer\u00e2mica<\/strong>, Galeria Andrea Rehder, S\u00e3o Paulo SP (Brazil) – Curador (Curator): Andr\u00e9s I. M. Hern\u00e1ndez.<\/p>\n

2021 \u2013 Encontros com a arte contempor\u00e2nea<\/strong> (Interven\u00e7\u00f5es\/ Interventions), Mercado Municipal de Campinas, Campinas SP (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 GALERIA LUX<\/strong> (Exposi\u00e7\u00e3o Virtual\/ Virtual Exhibition), Lux Espa\u00e7o de Arte (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Por um sopro de f\u00faria e esperan\u00e7a<\/strong>, MuBE \u2013 Museu Brasileiro da Escultura e Ecologia, S\u00e3o Paulo SP (Brazil) – Curadoras (Curators): Galciani Neves \/ Natalie Unterstell.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 C\u00d3SMICA<\/strong>, Feira de Arte e Cultura Contempor\u00e2nea, Montevid\u00e9u (Montevideo), Uruguai (Uruguay).<\/p>\n

2019 \u2013 12\u00ba Sal\u00e3o de Arte Contempor\u00e2nea de S\u00e3o Bernardo do Campo<\/strong>, S\u00e3o Bernardo do Campo SP (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0“Equin\u00f3cio: \u00f3-aqui-o-nosso”<\/strong> – Ocupa\u00e7\u00e3o Art\u00edstica \u2013 Hospital C\u00e2ndido Ferreira, Campinas SP (Brazil).<\/p>\n

2018 \u2013 Incorruptos<\/strong>, Galeria de Arte Braz Cubas, Santos SP (Brazil).<\/p>\n

2016 \u2013 Ocupa\u00e7\u00e3o 2<\/strong>, Galeria de Arte AT | AL 609, Campinas SP (Brazil).<\/p>\n

2015 \u2013 22\u00ba Sal\u00e3o de Artes Pl\u00e1sticas<\/strong>, Praia Grande SP (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0H\u00e1 velhos amigos, que em sil\u00eancio, tomam ch\u00e1 no por\u00e3o<\/strong> – Centro Cultural Esta\u00e7\u00e3o Guanabara, Campinas SP (Brazil).<\/p>\n

2014 \u2013 XII Territ\u00f3rio da Arte<\/strong>, Araraquara SP (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Our City Festival<\/strong> – The Mansion, Our City Festival, Phnom Penh, Camboja (Cambodia).<\/p>\n

2012 \u2013 1\u00b0 Sal\u00e3o de Artes Visuais<\/strong>, S\u00e3o Caetano do Sul SP (Brazil).<\/p>\n

2010 \u2013 Facetten<\/strong> \u2013 Galerie Treppenhaus, Erlangen, Alemanha (Germany).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Luz.Vest\u00edgios<\/strong> – Casa de Cultura “Hermann Muller”, Americana SP (Brazil).<\/p>\n

2009 \u2013 X Bienal de Mo\u00e7ambique<\/strong> – Museu Nacional de Arte, Maputo, Mo\u00e7ambique (Mozambique).<\/p>\n

2008 \u2013 \u201cGeko und seine Freunde\u201d<\/strong> \u2013 Geko-Arts Gallery, Neumarkt, Alemanha (Germany).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Expo Arte Contempor\u00e2nea 2008<\/strong> – Museu Nacional de Arte, Maputo, Mo\u00e7ambique (Mozambique).<\/p>\n

2006 – VI Sal\u00e3o de Artes Visuais<\/strong>, Guarulhos SP (Brazil).<\/p>\n

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Solo Exhibitions<\/h2>\n

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2022 \u2013 VIVARIUM<\/strong> (Site-Specific), Centro de Educa\u00e7\u00e3o Ambiental \u2013 Bosque dos Jequitib\u00e1s, Campinas SP (Brazil).<\/p>\n

2020 \u2013 Ser\u00e1 que clorofila \u00e9 bom para o organismo?<\/strong>, SUBSOLO Laborat\u00f3rio de Arte, Campinas SP (Brazil).<\/p>\n

2019 \u2013 Bicho de cuerpo blando, pero de buena piel<\/strong> \u2013 EAC\u2013Espacio de Arte Contempor\u00e1neo \u2013 Montevid\u00e9u (Montevideo), Uruguai (Uruguay).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Do outro lado do vidro vejo paisagens alheias<\/strong> \u2013 CCBM\u2013Centro Cultural Brasil Mo\u00e7ambique \u2013 Maputo, Mo\u00e7ambique (Mozambique).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bacia das Almas<\/strong> \u2013 SESC Tocantins \u2013 Palmas TO (Brazil).<\/p>\n

2018 \u2013 Bicho de corpo mole, mas de pele boa<\/strong> \u2013 MACC\u2013Museu de Arte Contempor\u00e2nea de Campinas, Campinas SP (Brazil). Curador (Curator): Fabio Cerqueira.<\/p>\n

2017 \u2013 Como nascem os bichos<\/strong> \u2013 Museu de Arte de Blumenau – Blumenau SC (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Bicho de corpo mole, mas de pele boa<\/strong> \u2013 Espa\u00e7o Cultural Casa das Onze Janelas – Bel\u00e9m PA (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Bicho de corpo mole, mas de pele boa<\/strong> \u2013 MARCO\u2013Museu de Arte Contempor\u00e2nea de Mato Grosso do Sul – Campo Grande MS (Brazil).<\/p>\n

2016 \u2013 Bicho de corpo mole, mas de pele boa<\/strong> \u2013 Museu de Arte Contempor\u00e2nea de Jata\u00ed – Jata\u00ed GO (Brazil).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0E do teu ventre nascer\u00e3o novos mundos, e deles, novos ventres<\/strong> \u2013 AT | AL | 609 Galeria de Arte \u2013 Campinas SP (Brazil).<\/p>\n

2015 \u2013 SKIN<\/strong> \u2013 National Art Gallery – Windhoek, Nam\u00edbia (Namibia).<\/p>\n

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Awards<\/h2>\n

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2021 \u2013 Proac Edital\/Artes Visuais<\/strong>, Governo do Estado de S\u00e3o Paulo (Government of the State of S\u00e3o Paulo Visual Art Contest, Brazil).<\/p>\n

2018 \u2013 Sal\u00e3o de Artes Visuais,<\/strong> Vinhedo SP (Brazil) | Pr\u00eamio Aquisi\u00e7\u00e3o<\/strong> (Acquisition Prize).<\/p>\n

2011 \u2013 Sal\u00e3o de Artes Visuais<\/strong>, Vinhedo SP (Brazil) | Pr\u00eamio Aquisi\u00e7\u00e3o<\/strong> (Acquisition Prize).<\/p>\n

2007 \u2013 XXIV Sal\u00e3o Limeirense de Arte Contempor\u00e2nea<\/strong>, Limeira SP (Brazil) | Medalha de Ouro<\/strong> (Gold Medal).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 1\u00ba Sal\u00e3o de Artes Pl\u00e1sticas<\/strong>, S\u00e3o Jos\u00e9 do Rio Preto SP (Brazil) | Pr\u00eamio Aquisi\u00e7\u00e3o<\/strong> (Acquisition Prize).<\/p>\n

2006 \u2013 XXX Sal\u00e3o de Arte Contempor\u00e2nea<\/strong>, Franca SP (Brazil) | Men\u00e7\u00e3o Honrosa<\/strong> (Honorable Mention).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 1\u00ba Sal\u00e3o de Arte Contempor\u00e2nea<\/strong>, Pouso Alegre MG (Brazil) | Pr\u00eamio Aquisi\u00e7\u00e3o<\/strong> (Acquisition Prize).<\/p>\n

2005 \u2013 XIV Sal\u00e3o de Arte Contempor\u00e2nea<\/strong>, Atibaia SP (Brazil) | Men\u00e7\u00e3o Honrosa<\/strong> (Honorable Mention).<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 V Sal\u00e3o de Artes Visuais<\/strong>, Guarulhos SP (Brazil) | Men\u00e7\u00e3o Honrosa<\/strong> (Honorable Mention).<\/p>\n

2002 \u2013 VIII Sal\u00e3o de Artes Pl\u00e1sticas<\/strong>, Itu SP (Brazil) | Medalha de Bronze<\/strong> (Bronze Medal).<\/p>\n

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This is Genivaldo AmorimGenivaldo Amorim is a Brazilian visual artist. Born in Umuarama PR, Brazil, in 1973. Lives and works in Valinhos SP, Brazil. Works with installations, painting, drawing, objects and several other media and supports.CURRICULUM (Selected exhibitions)Group Exhibitions2023 \u2013 Site-specific, Espa\u00e7o Alta Vista, S\u00e3o Francisco Xavier SP (Brazil) – Curador (Curator): Marcelo Lago. 2022 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-135","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/pages\/135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/comments?post=135"}],"version-history":[{"count":6,"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/pages\/135\/revisions"}],"predecessor-version":[{"id":774,"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/pages\/135\/revisions\/774"}],"wp:attachment":[{"href":"https:\/\/genivaldoamorim.com\/en\/wp-json\/wp\/v2\/media?parent=135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}